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【XU BO】Maximum daily capacity: 10,000 person-times Instantaneous capacity: 2,500 person-times
◇ Exhibition time:November 18, 2017
◇ Exhibition venue:Xu Peichen Art Museum, Xuzhou Museum
Exhibition Brief
Curator: Ma Kaizhen
Opening ceremony time: 10:30 am, November 18, 2017
Exhibition address: Xu Peichen Art Museum, Xuzhou Museum
Sponsored by: Jiangsu Normal University
Xuzhou Museum
Xuzhou Artists Association
Xuzhou Young Artists Association
the Life Attitude of Shaking Flower Branches ·Showing the beauty
Shaking Flower Branches ·Showing the beauty is another oil painting solo exhibition of Gao Zhonghua after Question of Flower · Question to Flower . The two exhibitions are closely related.
In my essay "Question of Flower · Question to Flower - Analysis of Gao Zhonghua's oil paintings", I said: Gao Zhonghua "seems to be more interested in wandering in the field of private language; Gao Zhonghua's frankness is not reflected in the publicity of life emotion, on the contrary, it is the introversion of life boundary."
Shaking Flower Branches ·Showing the beauty" is a sign, which means that Gao Zhonghua has completed a process, that is, he has already made a breakthrough from the "introvert of life boundary", she has changed from the nervous and tangled soul to the joyful and excited looking out. This turning point is of course very important. It shows that Gao Zhonghua is no longer just a reflexively introverted life to the flowery outside world. In the curl of self-protection, all kinds of puzzles and anxieties are brewing. Then, she releases and unfolds her exclusive schemata: "distortion is a passionate stroke, expressing indifference, anxiety and strangeness; subconscious self-protection Curled up human body, let alone and introverted, showing erotic sex appeal and secular desire (Question of Flower · Question to Flower )
In Shaking Flower Branches ·Showing the beauty, it is hazy to see that Gao Zhonghua began to face up to the times, all kinds of doubts and puzzles brought by her life and career. She consciously or unconsciously adjusted her gaze to prevent the habitual mood from fermenting. On purpose, she is willing to be implicated by the pink peach, pear and lotus flowers in nature; on the other hand, she unconsciously bumps into the dance floor, which is also colorful. "Dance floor" is an interesting body, flashy, emotional, elegant, gaudy, noisy and fanatical, it is almost a typical sign of an era. "Dance floor" not only reflects and restores a grand, fragrant and noisy external landscape, but also forms a response and connection from the inside to the outside and from the outside to the inside. Yes, at least in my opinion, in the middle of "Question of Flower·Question to Flower " and "Shaking Flower Branches·Showing the beauty", two completely different kinds of flower branches, which are woven and constructed by instinct and reason, are swaying out the same and different life postures.Introduction
Mengyin, Shandong Province in 1971
Graduated from Qufu Normal University with a bachelor's degree in 1997
Since 1997, he has been teaching in the Academy of fine arts of Jiangsu Normal University
In 2008, graduated from Tianjin Academy of fine arts and obtained master's degree
2014 University of Missouri visiting scholar
Associate professor and master tutor of Art College of Jiangsu Normal University
Member of Hudson Artists Association, New York, USA
Member of Shanghai International Women Artists Union
Major exhibition Awards:
In 2012, "the seventh western land situation" won the excellent award (the highest award)
"Nanjing International Art Exhibition" won Bronze Award in 2014
Solo exhibition
1998 "high China oil painting exhibition", Xuzhou, Jiangsu, China
2011 "high China works exhibition" Huamao tower, Beijing, China
2013 "high China works exhibition" Xuzhou, Jiangsu, China
2014 "high China oil painting landscape exhibition" Linyi, Shandong, China
2014 "Huawen · Wenhua" Gao Zhonghua oil painting exhibition, Xuzhou, Jiangsu, China
2014 Hudson Center for creative arts, New York, USA
2017 "Huazhi · ZhaoZhan" Gao Zhonghua oil painting exhibition, Xuzhou, Jiangsu, China
Joint exhibition
1999 "orientation 99 first stop Exhibition", Nanjing, Jiangsu, China
1999 "1970s -- the first exhibition of easel painting", Beijing, China
1999 "National Art Exhibition Jiangsu Exhibition", Nanjing, Jiangsu, China
2000 "image and variation -- the second exhibition", Shanghai, China
"Other places" contemporary artists exhibition, 2000, Xuzhou, China
2001 "Paris China style exhibition", Paris, France
2001 "house of Artists Exhibition", Nanjing, China
2003 "Jiangsu oil painting exhibition", Nanjing, China
2003 "Art China", New York, USA
2006 "Tianjin Academy of fine arts report Exhibition", Tianjin, China
2007 "focus on scattered points - 2007 Contemporary Oil Painting Exhibition", Beijing 798 Hongding Gallery, Beijing, China
2007 "graduate works exhibition of Tianjin Academy of fine arts", Tianjin, China
2010 "China Art Week exhibition of Shanghai World Expo", Shanghai, China
"Han style and ink style" - Li Keran and Pengcheng school, Beijing, China, 2014
Howland culture center, New York, USA
2014 "New York Asian Festival" Diaby Ken, New York, USA
Poughkeepsie 2014 "city of queens Art Festival" New York, USA
Poughkeepsie 2014 "Liushun Flower Exhibition - six Chinese artists", New York, USA
Rosendale Print Center Exhibition 2014 Rosen Dell New York, USA
Poughkeepsie, New York, USA
2014 "East West dialogues" University of Missouri, USA
Publication of papers
In 2008, the paper the decline of expressionist painting was published in art observation (core journal)
In 2006, the paper "material characteristics and artistic spirit" was published in "art 100" (core journal)
In 2007, the paper "the temptation of beauty" was published in "northern art" (Journal of Tianjin Academy of Art)
2008 paper "return of French Neo impressionism" published in Contemporary Academic Forum
In 2013, the paper "self report" was published in the famous calligrapher and painter
In 2016, the paper "colorful black gene" was published in China Art Journal
In 2016, the paper "analysis of costume decoration in Han Dynasty stone relief" was published in "beauty and times"
In 2016, the paper "the bone technique of Degas' works" was published in "art education"
2017 paper "American contemporary art in cracks" published in art review
In 2017, the paper "the same journey: Chinese folk art and expressionist painting" was published in art review
Main works published
The 2017 work "red house I" was published in literature and Art Research
The 2017 work "red house of Taihang" was published in literature and Art Research
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